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СпутникиРНSpaceXРоскосмосNASAThe post Volume 73, Issue 13 (2026-0820) appeared first on The New York Review of Books.
The most authentic thing about Christopher Nolan’s Odyssey is its densely braided narrative, but its tormented hero sounds like the heroes of Christopher Nolan movies.
As Democratic Socialists rack up primary victories, the moderate wing of the Democratic Party looks increasingly out of touch.
The Search for Bridey Murphy caused a sensation in 1950s America, and while its tale of reincarnation was soon discredited, it revealed a deep cultural fascination with the supernatural.
The face that sold a million mugs returned to museums and the operatic stage this spring, as if there was a yearning to reconnect with the real Frida Kahlo.
Relatos modernos: Obras emblemáticas de la Colección Gelman Santander [Modern Tales: Emblematic Works from the Gelman Santander Collection]
an exhibition at the Museo de Arte Moderno, Mexico City, February 17–July 19, 2026
Frida: The Making of an Icon
an exhibition at the Museum of Fine Arts, Houston, January 19–May 17, 2026, and Tate Modern, London, June 25, 2026–January 3, 2027
El Último Sueño de Frida y Diego [The Last Dream of Frida and Diego]
an opera by Gabriela Lena Frank, with a libretto by Nilo Cruz, at the Metropolitan Opera, New York City, May 14–June 5, 2026
Frida and Diego: The Last Dream
an exhibition at the Museum of Modern Art, New York City, March 21–September 12, 2026
Maggie Haberman and Jonathan Swan’s inside account of the Trump administration portrays a president with a vast appetite for power but who repeatedly backs down when the costs of his actions become too high.
Regime Change: Inside the Imperial Presidency of Donald Trump
by Maggie Haberman and Jonathan Swan
With his commitment to impractical and borderline impossible projects, the composer Dylan Mattingly has created a welcoming, abundant, sun-drenched musical landscape.
Stranger Love
a music theater work by Dylan Mattingly and Thomas Bartscherer
History of Life
a music theater work by Dylan Mattingly and Thomas Bartscherer
Dylan Mattingly: The Wild Heart
an album by Contemporaneous and Iarla Ó Lionáird, conducted by David Bloom
In Killing Spree, the poet Jorie Graham pursues an essentially ethical impulse to find a true language for the evil in the world.
Killing Spree
by Jorie Graham
Fusing religious subjects with unerring technique, the Spanish artist Francisco de Zurbarán discovered a zone in oil paint that might well be called “sacred.”
Zurbarán
an exhibition at the National Gallery, London, May 2–August 23, 2026; the Musée du Louvre, Paris, October 7, 2026–January 25, 2027; and the Art Institute of Chicago, February 28–June 20, 2027. Catalog of the exhibition edited by Francesca Whitlum-Cooper, Daniel Sobrino Ralston, Imogen Tedbury, and Rebecca Long
In John Lanchester’s novel Look What You Made Me Do, a couple’s private language is weaponized against them.
Look What You Made Me Do
by John Lanchester
In the Supreme Court’s recently concluded term, it showed that it is willing to constrain Trump but less willing to accept limits on its own authority.
Fairfield Porter was an insider among the East Coast elite, but his own portraits of life in Southampton and Maine give the charming impression of an outsider looking in.
Fairfield Porter: What Everyone Knows
an exhibition at the Art Students League, New York City, June 5–August 18, 2026
Pope.L, best known for his performance art, also made drawings and paintings animated by his sense of the absurd and his concern for the marginalized.
Certainly an Act: Works on Paper by Pope.L
an exhibition at the Drawing Center, New York City, June 26–September 27, 2026
Sara Flores adapts the ancient designs of the Shipibo-Conibo tribe of Peru into large, pattern-based paintings.
Sara Flores: Akinananti
an exhibition at White Cube, New York City, June 25–August 14, 2026
In novels written immediately after World War II, Wolfgang Koeppen mined the conscience of Germany.
Pigeons on the Grass
by Wolfgang Koeppen, translated from the German by Michael Hofmann
The Hothouse
by Wolfgang Koeppen, translated from the German and with an afterword by Michael Hofmann, with an introduction by Pankaj Mishra
Death in Rome
by Wolfgang Koeppen, translated from the German and with an afterword by Michael Hofmann, with an introduction by Joshua Cohen
Cover art
Lisa Hanawalt: Meet Me on the Roof, 2026
Series art
Ginger Sorbara: Conversations with Pens, 2026
| # | Наименование новости | Тональность | Информативность | Дата публикации |
|---|---|---|---|---|
| 1 | Volume 73, Issue 14 (2026-0924) | 0 | 21.19 | 24-09-2026 |
| 2 | Volume 73, Issue 15 (2026-1008) | 0 | 21.19 | 08-10-2026 |
| 3 | Six poetry collections shortlisted for the PEN Heaney Prize 2026 | 0 | 9.23 | 24-09-2026 |
| 4 | A Season of Stories: Our Autumn Book Salons | 0 | 6.42 | 16-09-2026 |
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| 9 | Private Wealth Newsletter - Second Edition 2026 | 0 | 24.29 | 15-09-2026 |
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